Archive for May 27, 2008

Every Picture Tells A Story…

Every Picture Tells A Story…

These pictures are from the Castings (an experimental band from Newcastle I have mentioned previously) MySpace page. I feel they reveal a great deal about experimental music, the way it is composed and performed.

There are many parallels that can be drawn between the defining features of the photographs and the characteristics of experimental music. In looking at the photos, there appears to be a certain amount of disorder. Instruments are everywhere, all over the floor, cords are running everywhere, tangled up. The room is messy and untamed and consists of a mish mash of objects, including musical and decorative and functional.

This can be likened to the unorganised nature of experimental music. Sounds cover sounds, things clash and there is a distinctive feeling of unorder, which is heightened by the use of improvisation. The multiple instruments reinforce the multitude of sounds possible within experimental music. The music can be seen as a journey in itself where the final product or the end destination isn’t known. The eclectic appearance of the room emphasises the unique and diverse qualities of experimental music.

The multiple instruments emphasise experimental music’s fascination with sound combination and sound production. The whole space has a feel of creativity and communication, which can be seen through the music – the music is the mode of communication. All the instruments and members of the band are connected in some way by the cords on the floor. This can be seen through the music and how it is created through musical experimentation within the members of the band.

The black and white tonal qualities of the photographs can be likened with the rawness of experimental music. The gradation of shading demonstrates the possibilities of light and shade within the music – there is an absence of colour which I think indicates how some people see experimental music. The pieces classed as experimental music are often long and revolve around gradual and seemingly untraceable changes in sound. The photos, through their black and white tones, reinforce this as well as the sometimes seemingly uneventful quality of the music.

I really love these photos and I believe they capture not only the band perfectly but reinforce the qualities of experimental music. I believe they are a great reflection of experimental music.

Millie

 

Want to Listen? Experimental Music…

Want to Listen? Experimental Music…

If you would like to hear some examples of experimental music please click here to head to Castings MySpace where some of their music can be played, as well as links to other music groups that may interest you.

I have also previously posted an example from YouTube from the Big Sur Experimental Music Festival in 1999.

Millie

Experimental Music – Castings Reviews

Castings Reviews

In this post I will be responding to two reviews, both reviewing the band Castings.
Castings will be one of the main bands I will be using while I’m researching experimental music. They are a local Newcastle band, although they play mainly in Sydney because there isn’t a market for their style of music in Newcastle – which is a subject I will be exploring further in a later post.

My brother Nick is a member of the band and he is a wealth of information concerning experimental music – I hope to be interviewing him too on the subject soon so stay tuned!

In completing this post, I’m hoping it will delve into the world of experimental music and I’ll be able to pull out some characteristics of experimental music that will lead to explaining the concept more and may also lead to deciphering why this genre of music hasn’t made it into the mainstream.
The first review I will be looking at is a Foxy Digitalis review of Castings’ ‘Allo Hickory’ album from 2005.
In reading this review, it appears to be very obscure, like many believe experimental music is. It begins with describing weather and the intricacies of weather changes and what results.

This in-depth explanation describing the weather in intricate detail can be likened with experimental music’s obsession with sound and the minute detail used in experimental music. The use of sound in experimental music can range a great deal. The sounds can be large, notable and highly obvious, to be being so small and unnoticeable, they have to be pointed out to be heard.

If this is the case with some sound in experimental music, many ask the question why include the sound at all? The reasoning behind including these minute sounds is that there are layers and layers of them, creating the music heard. Without them, a difference would be noted and the music would lose its layered quality and also the importance of sound. Simos empahsises this in the review from dB magazine when he speaks of the “minute detail” and “subtle samples.”

This review from dB magazine also talks about the music acting as a navigation. This statement demonstrates its relationship with the journey and where the song goes and how it is produced.

The in-depth analysis and description of the sound from the Foxy Digitalis review reinforces the importance of sound and attention to detail within the genre of experimental music.

For example; “Distorted spastic guitar exercises intermingle with reverb-laden drum blasts. All the while, there are various cryptic hums that underpin the whole piece, giving it a certain cohesiveness it would otherwise lack.” The reference to cohesiveness is important as this is an integral part of experimental music.

This quote from dB magazine’s review demonstrates to some extent the purpose and process of experimental music; “Castings is an improvising ensemble with it’s collective eye fixed on making noise soundscapes which alternate from serene to dissonant, lush to stark.”

Finally, I’m choosing to close with this quote from the Foxy Digitalis review which I believe is the perfect encapsulation of experimental music; “Sounds disorienting, and it is, but it’s equally enchanting.”

Millie

References:

Foxy Digitalis – Castings “Allo Hickory” http://www.digitalisindustries.com/foxyd/reviews.php?which=954

Db Magazine – Castings http://www.dbmagazine.com.au/346/cd-Castings.shtml

MySpace – Castings http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=17535028

John Cage Talks…

John Cage Talks…

This is another video I discovered on the lovely YouTube where one of the most prominent people in the field of music, John Cage, (who I have mentioned in previous posts) talks about sound and experimental music… I have read in many places that it is rare for John Cage to actually be interviewed and talk about music… As I stated before, sound is extremely important to experimental music… I know Its long but he has some great things to say about sound and experimental music… It’s worth watching!

Millie

Example of Experimental Music

Example of Experimental Music

Here is a video I stumbled across on YouTube… Its from the Big Sur Experimental Music Festival in 1999… It features Ernesto Diaz-Infante, David Dvorin and Pat Herman performing a piece of experimental music… It is interesting to note that this piece, as is many experimental music pieces, is completely improvised… 

Millie